Showing posts with label Typography. Show all posts
Showing posts with label Typography. Show all posts

15/09/2009

Map-ography, Skin-ography and...Book-ography!

Here are three examples of innovative and inventive typography I have come
across recently and really stuck in my mind. The first is google maps typography. Created by Australian designer Rhett Dashwood. Incredibly he has used google maps to search for land formations and buildings that resemble each individual letter of the alphabet! And perhaps what's even more incredible is that he has found them all within the state of Victoria, Australia. When I first caught glimpse of this alphabet I at least presumed that it was compiled with aerial snapshots from around the world, not just from one region of one country! A great result from an interesting and unique idea.

The second is this typography created from the skin, officially termed Skinography. I don’t know much about it or where it came from, but I discovered it here. I gave up attempting to guess from which parts of the body theses letters were made. All I could spot was the odd nipple here and odd earlobe there! It’s almost quite grotesque and looks pretty painful. The outcome however is extremely effective, even if it does make you cringe. I couldn’t figure out why they hadn’t done a ‘z’ though…

Last but not least is this book typography, by Amandine Alessandra. She has taken Thomas Fuller’s phrase “A book that is shut is but a block” and built up this series of letters using the spines of different coloured books. In between the coloured books, white books are used to block the letters into their forms. On her website there are more examples of typefaces created from everyday things, such as chairs and hands. It’s interesting to see someone transform such mundane, everyday objects into something of order, and look at I from a different perspective.

08/09/2009

To think we used to say it in a text...!

Teehee!  I spied these card designs online - 'courtesy cards' from Gramkin Paper Studio, sold on Etsy.  Check out their cute, kitsch range of card designs.  This one’s a bit mean…but it does look pretty though!  They aren’t all of the same tone, in fact there are some other charming card designs with peacock illustrations and the like, but these are definitely my favourites.  I like the way they look so delightful, disguised in pretty and colourful typography and printed on nice card stock…until you read what they actually say!  

Description:

"Are you tired of trying to have a good time with your friends and being interrupted by that annoying pick up artist?  Sick of wasting valuable minutes of your life that you can't get back by turning down the overly confident pursuer?  Then try a courtesy card!  These handy little cards are the perfect size to get the job done!  When you don't want to be bothered and can't waste anytime, simply reach for a card and hand it over to the offender...and walk away....just let the card do the rest  What a small price to pay for peace of mind!  And remember when you can't say it to someones face......Say it in a card!"

So if you need to get that little something off your chest, for those of you amongst us who are too shy to say it out loud, Gramkin Paper Studio may just be able to help!

28/08/2009

High speed typography

I came across this typography whilst browsing the creative review website and found it quite refreshing and extremely inventive.  Ad agency ‘Happiness Brussels’ have come up with a unique idea to promote the new Toyota iQ.  With a little help from some friends – namely professional photographers/designers Pierre and Damien from ‘Please let me design’, and interactive expert Zachary Lieberman – cue the creation of the iQ font. 

As car advertisements have progressively moved forward in sophistication and creativity over the recent years (from Ford Focus’ ‘beautifully arranged’ orchestra of car parts to Skoda’s ‘full of lovely stuff’ model cake of the Fabia) it seems only fitting that the creative boundaries are further pushed.  And Toyota has risen to the challenge by concocting some fresh and unique typography formulated by the new compact iQ. 

As pro racing driver Stef Van Campenhoudt was strapped into place and let loose behind the wheel of the miniature iQ, a clever tracking programme monitored by Lieberman recorded the motion of the car’s skids, translating them into ABC’s and 123’s.  Despite it’s obvious purpose as an eye catcher and talking point, the making of the font does illustrate the impressive steering on the iQ.  For a more detailed insight into the making of the iQ font, take a look at the video from Vimeo posted below, “When driving becomes writing”: 

iQ font - When driving becomes writing / Full making of from wireless on Vimeo.